I'm a sucker for post-apocalyptic films. I realise they are a bit shit, but every time I see a trailer for the latest end of the world epic I know there is no point in resisting, even though the feeling of disappointment that I felt after watching the last effort from the genre will undoubtedly not have worn off.

Anyhow, Denis Oliver's 'Dreamspace Reloaded #39' puts me in mind of The Day After Tomorrow, post New York being hit by the huge tsunami. The lack of colour lends an immediacy to the image, as though the only way of documenting the demise of NYC was to reproduce and distribute the information using a Xerox machine.