There are but just a few weeks now. The film that every designer is rubbing his thighs at the prospect of seeing is almost with us and Vice have interviewed the man that has brought it from the pages of the book to the big screen.

Interesting that the film didn't turn out as the studio had expected. It is hinted at in the interview that Warners were hoping for another Shrek, but Jonze stuck to his guns and made the movie he had imagined and I'm sure it will be for just that reason it will go down as a classic and not forgotten/hated because it was another bland Hollywood adaptation.

The interview covers some interesting insights as to how the film came about and some of the technical aspects of producing the film, so read it here.

This is the latest version of the poster. It's a ton more detailed than the previous iteration, due to the heavy use of lines in texturing the beard.

Still not sure it's working. Not sure what the problem is though. Does it need more colour, need something else going on, I've toyed with including a nose and mouth? Not sure it's the hair assault that I'm after, perhaps the darker lines need to come off?? Flip knows!!

Keep on keeping on Stannard :)

I spotted this book while in Barcelona and fell in love with it straight away.

It's a kids book written in French (I have a very limited grasp of the language) so I don't exactly represent the target audience, but it's just a dream book for any designer.

The illustrations are so simple but at the same time beautiful and (for a non-French reader) they totally tell the story. Saying that, the typography used throughout the book is also a treat.

In what seems like an unusual move for a kids book, the story is set in big sans serif type (Futura bold condensed I think, but feel free to correct me) rather than a handwritten or script face that I would imagine would be the norm for an illustrated kids book.

And saying that the Yeti is an admirable creature is always going to sound better in French that it would in English!

From what I can make out (limited French remember) the book it written and illustrated by Fabrice Houndry. You can buy it here.

For the second leg of my holiday I traveled to Spain, and managed to take in a couple of nights in Barcelona. (I know, pretty jet set).

One of things that stuck in my head from my previous visit to the city was the graffiti that seemed to be daubed over half of the city. But when I got there I noticed that the resident artists weren't so indiscriminate.

Pretty much all of the graffiti was contained to doors and shutters. It isn't of the highest standard, but what I liked about it was that each piece is kind of framed by the doorway that it is painted within.

Due to the magnificent architecture of Barcelona these 'frames' are often quite ornate, creating a real contrast between old and new, authority and rebellion etc. of the street art and the buildings. Intentional or not I don't know, but it's a pretty cool Barca trend.

This is great. I came across it while on my holidays on the Greek island of Zante (Zakynthos). I bought some postcards from one of the local supermarkets and this was printed on the bag that they were put in to.

I love this kind of random graphic design that you find in tourist resorts. It kind of goes against a lot of the stuff that we would generally consider is good graphic design, but for some reason (kitsch, naivety ??) it works.

I'll keep my eye out for more of this kind of thing.

On my last update, I said that although I was happy with the way the illustration for the poster was going, I wanted to add a little more interest to the drawing, which I thought I could achieve by making it busier.

The picture above is where I got to after a few trial and error sketching sessions. Basically I have used the original drawing as a template, so no changes to the basic composition, but I've upped the number of lines used on each tuft of the beard.

It's a pretty time consuming method. Each line has to be drawn individually and you have to go steady to keep a clean, precise line. But I'm only half way through and already I think the increase in lines seems to be adding a lot more texture to the drawing. When it is finished it will hopefully help with the desired effect of a hair bombardment.

Accidents will happen, that's what they say isn't it? Well speaking with my designer hat on, I'm pretty glad that they do!

So often I've been toiling on a project, making a tweak here and a slight adjustment there, trying to make the change that takes what you're working on from the being 'okay, but not great' to the 'yes, spot on' point.

Sometimes, not always, as if by some kind of divine intervention chance offers a little helping hand! Whether it's an accidental 'apple, v' that plonks an object somewhere you would never have thought to plonk it. Or maybe a chance crop that hacks off far more of the image than you'd have thought was a good idea...

Yes, I'm talking about design accidents. They're a designers friend, some kind of fairy godmother that should be fully embraced whenever they deem it time to make an appearance.

You can't take full credit, because it wasn't strictly your idea, or an idea at all, but by jove it looks good so you're just going to roll with it.

So that's how the image above came about. It was a design accident. I can't really remember how it happened, but I always thought it looked kind of cool and thought that it'd be a good way to illustrate my point.

I've been thinking about getting in on this music reviewing lark for a while now. So with Spotify on everyone's computer meaning you can listen to what I'm talking about straight away, it felt like a good time to start!

I first came across Kings Of Convenience when they released 'Toxic Girl' in (about) 2001. I bought the single, but never got round to listening to any more of their stuff, but with Spotify being so nice and generous, I've recently had the chance.

Jolly glad that I did. 'Quiet Is The New Loud' is a perfect 'getting on with work' album. Just plug in your headphones and let the gentle, folk-tinged tunes fill your ears and carry you along while you get what you need to get done, done.

Comparisons to Belle & Sebastian could be made; the music is a gentle sort of folk style, but like the review on the Spot says, Kings Of Convenience's lyrics seem more concerned with 'calm moods and relationships' rather than the tongue in cheek words of Stuart Murdoch.

My favourite tracks: Toxic Girl and Little Kids. You can listen to the album on Spotify.

The release date is fast approaching and the design blogs have been posting like crazy over the past couple of weeks. Yep, 'Where The Wild Things Are' is nearly here after months of on-line whispers and exclusive screen shots, and the design community seems to be very excited.

I'm not moaning, I'm really looking forward to seeing it too. It was after re-tweeting 'It's Nice That's' tweet on the new featurette that my girlfriend asked why designers are getting sooo excited about it.

It hadn't really occurred to me that designers were any more or any less pumped for the film than anybody else, but if it is the case then I guess it's a combination of the following:

Spike Jonze is directing. He's the alternative persons director that has worked on some of the coolest promotionals of the music video genre, including 'Sabotage', 'Buddy Holly' and 'Praise You' and directed 'Being John Malkovich'. So you know from the start that he would bring something pretty cool to this film and not just be some big corporation hack making a 'safe' cash-in flick.

The use of puppets instead of CGI. I think this traditional approach really speaks out to many people from the design community. There has been a massive upsurge in graphic design over the last year or so or people getting their hands dirty and not just relying on the computer to generate their work. Illustration, collage, hand lettering etc has boomed. Helen Musselwhite's work is a recent example of this aesthetic that I've come across.

Not so designer focused admittedly, but the whole nostalgia thing cannot be overlooked. This is a book that we will all have read as a kids and most of us will have loved it. So while on the surface this could be seen as a children's movie it will appeal to that retro, nostalgic part of many of us.

Sorry to go on! Why not watch the interview with Maurice Sendak and Spike Jonze or treat yourself to a look at the trailer.

Oh, and the poster (above) is pretty cool too isn't it?

So I thought it would be a god idea to print off the poster at the size that I eventually want to screen print it at (A2). I've got it hanging in my kitchen just to get a feel for the scale of it and how it works at that size.

This version was worked up in Illustrator. I traced over the scan of my sketch with the pen tool, which has resulted in clean finish and has left me wondering whether there needs to be a bit more going on.

To add a little more interest and draw people in I'm thinking that more hair might be a good idea. In my first post about this poster I said that I would like to create something that people might have to look twice at to 'get' what the picture was of. I don't think that is happening yet, but by making it busier with more curls and ruffles going on in the beard I think I could get there.

The next thing that I will have to figure out is how to best tackle drawing the nose and mouth, ie, what technique to use; simple, cartoonish style or a more realistic finish. Hopefully though, once I've got the beard right the answer to this problem should become apparent.

I've been finding myself heading Shoreditch way more and more since moving back to south-east London.

I think that the area is probably pretty much my favourite area of London. There's so much on offer; salt beef bagels on Brick Lane, cool bars around Old Street and amazing Thai food on Hoxton Square - and that's just scratching the surface.

Anyhow, I'm harping on. The pictures above were taken on a recent stroll down Brick Lane and over to Old Street station. There is so much cool wall art about in that area (Banksy has been a regular visitor over the years) which I think adds an aesthetic that fits in to the artistic, DIY feel the area has.

I got round to scanning in the sketch that I posted last week and have now been mucking around with it on the computer.

I've been thinking about two different approaches; the clean, smooth finish of Illustrator and the textured look that I can produce with Photoshop.

The picture above is the Photoshop version. I've been using old scans of roller print marks to create a scuzzy textured finish to the beard area. Not sure about it yet. Definitely need to explore more options before I'm happy with it.

Now that I'm living back in South-East London I've been trying to do a few of the things that the local area has to offer. Goldsmiths College is just down the road so yesterday me and the girlfriend went to have a look round the masters fine art show.

Fistly, the spaces that Goldsmiths were using for the show are amazing. The Ben Pimlott building was purpose built for these kinds of shows and the view from the sixth floor was one of the most impressive of London I have seen. From the Dome through the City, St Pauls, the London Eye and the West-End as far west as Battersea Power Station, it was all visible! Also being used were the converted Laurie Grove Baths, formerly a swimming pool now being being used as studios by Goldsmiths that retained lots of its original features.

I should probably mention that fine art isn't normally my thing, not enough structure for the graphic designer in me, but some of the work on display here really impressed me. Above I've featured work from (top) Yun Kyung Jeong, Untilted, and amazingly beatiful and intricate illustration which looks good here, but was spectacular in the flesh.

Olivia Reynolds, Oh Albert, My Love (middle), Had created a piece inspired on the Albert Memorial (of which I am a fan) by carving into plywood and using varnish, stained glass, old silk, persian carpets, gold buttons... (the list goes on) to create four huge, magnificent collages (I guess) to represent each of the four continents featured on the original memorial.

The final piece, Penetralia, by Jang-Oh Hong is a series of national flags hanging from the ceiling created on clear plastic with metallic thread used to create the markings and stripes etc. of the national flags.

I'm not going to get in to what I thought the motivations of the artisits were or what I thought each piece represented, because I'll probably be very far wide of the mark It's better to make your own minds up.

Just got back from the Blur gig at Hyde Park. It was amazing! I sang along from start to finish.

Stand out track had to be 'Tender', the whole 50,000 crowd took over singing duties from Damon at one point. They played 'Death Of A Party' which is one of my personal favourite Blur tracks and finished on 'The Universal', one of my all time top songs.

Check out the Spotify playlist I've put together for tonights set.

The picture above is the first sketch of an idea for a poster I'd like to print. I thought it could be kind of interesting to chart the process of the project, from the initial rough through to the final screen printed poster (plus doing this will also act as motivation for me not give up half way through!)

My drawing is based on my blog header image, but was influenced by an illustration by Federico Rodriguez Morice for Threadless.

I love the impact the mass of hair has in Federico's image, which is what I hope to replicate; a sort of hirsute assault, an all beard/no face kind of look, so that maybe you'll have to look twice to fully identify what the image is.

I hope to have the completed design screen printed by the autumn, so wish me luck.